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Max Slevogt
The Alster at Hamburg (mk09)
1905
Oil on canvas,59 x 76 cm
Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
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Max Slevogt
Flower Garden in Neu-Cladow (nn02)
1912
Oil on canvas,25 1/4 x 31 7/8'' Westfalisches Landesmuseum fur Kunst und Kulturgeschichte,Munster
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Max Slevogt
Sunny Garden Corner in Neukastel (nn02)
1921
Oil on canvas,35 1/2 x 43 1/4'' Bayerische Staatsgemaldesammlungen,Neue Pinakothek,Munich
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Max Slevogt
The Alster at Hamburg
mk87
1905
Oil on canvas
59x76cm
Berlin,Nationalgalerie,Staatliche Museen zu Berlin Preussischer Kulturbesitz
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Max Slevogt
The Singer Francisco d-Andrade as Don Giovanni
mk138
1912
Oil on canvas
210x170cm
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Max Slevogt
Red Pergola with Dog
mk141
1897
Oil on cardboard mounted on Wood
68.2x98.1cm
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Max Slevogt
Penthesilea
mk184
]1905/06
chalk-and Tuschlithographie on carton 29x41.2cm
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Max Slevogt
Symbols of the time as well as long yet
mk184
Lithographie
45x34.5cm
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Max Slevogt
Selbstbidnis with hat and cane
mk184
1908
Lithographie
31.3x29.9cm
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Max Slevogt
Dacne of Death
mk235
1896
Oil on canvas
102x123cm
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Max Slevogt
Max Slevogt
mk235
1901
Oil on canvas
81.5x65.7cm
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Max Slevogt
The Alster at Hamburg
mk235
1905
oil on canvas
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Max Slevogt
At the Races
mk235
1909
Oil on canvas
52.5x74cm
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Max Slevogt
Steinbart Villa
mk235
1911
Oil on canvas
85.5x105.5cm
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Max Slevogt
tiger in the jungle
mk247
1917,oil on canvas,22.625x27.625 in,57.4x70 cm,hamburger kunsthalle,hamburg,germany
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Max Slevogt
Der Sanger Francisco
Der Sanger Francisco d'Andrade al Don Giovanni in Mozarts Oper, 1912
One of three paintings by Slevogt that portrait d'Andrade in this role.
The painting depicts the scene when Don Giovanni invites the dead Commendatore to dinner (O statua gentilissima), with Leporello hiding behind him.
Oil on canvas, 210 X 170 cm
Gallery: Alte Nationalgalerie Berlin, A II 36
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Max Slevogt
Don Juans Begegnung mit dem steinernen Gast,
Don Juans Begegnung mit dem steinernen Gast, 1906
Oil on cardboard, 37.2 X 53.2 cm
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Max Slevogt
Portrat Nina und Wolfgang Slevogt
Porträt Nina und Wolfgang Slevogt (Kinder im Wald), 1917
Oil on canvas, 115 X 92 cm
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Max Slevogt
Don Giovannis Begegnung mit dem steinernen Gast
Oil on cardboard, 37.2 X 53.2 cm
cyf
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Max Slevogt
Kinder im Wald
1917
Oil on canvas, 115 X 92 cm
cyf
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| Max Slevogt
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German Impressionist Painter, 1868-1932
German painter, printmaker and illustrator. His father, adjutant and friend of the future Prince Regent, Luitpold (1821-1912), died when Slevogt was just two years old. His mother moved to Werzburg, where he spent his schooldays. Even in his childhood and adolescence, family connections brought Slevogt to Pfalz, to an aunt in Landau and to the Finkler family in Neukastel. Initially he had planned to become a musician, but he began to study painting at the Akademie der Bildenden Kenste in Munich in 1885. His fellow students included Gabriel von Hackl (1843-1926), Karl Raupp (1837-1918), Ludwig Herterich (1856-1932) and Wilhelm von Diez (1839-1907). In 1889 he spent a term at the Academie Julian in Paris. At that time Impressionism had very little effect on him. Following a trip to Italy in 1890 with the painter Robert Breyer (1866-1941) who had befriended him at the Akademie, he began to work independently as a painter in Munich. In 1893 he participated in the first exhibition of the newly founded Munich Secession, exhibiting Wrestling School (1893; Edenkoben, Schloss Villa Ludwigshehe); the judges wanted to refuse this painting as immoral since its entwined and naked men caused offence. In the following years his paintings often appeared harsh and non-academic to conservative Munich circles. At this time Slevogt also made contributions to the journals Jugend and Simplizissimus, which were significant in the development of his graphic work.
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